Since I graduated, I’ve had this really restless feeling. It turns out, after some honest self-analysis, I really like learning stuff. (Go figure, took me long enough.)
I have a lot of time on my hands, so I’m really trying to keep up on that continuing education. Part of that is studying my craft and analyzing films and screenplays. Another part is stretching my story telling muscles by branching out into different mediums.
I was never very good at making games in Twine, so I dedicated a little bit of my free time to getting good at it. Every game I think I finished tells me a little bit more, and I’m finally polishing up Twine games that I’d be willing to share.
But I really wanted to learn how to code. Like, big boy, actual functioning code, not just scripting in Twine.
Well. About that.
So, Twine 1 was written in Python, so a lot of what I’m learning about how to set up code in Python seems vaguely familiar. Knowing how to script in Twine was just the baby steps I needed to get in the door with Python, and for that I am grateful.
Humble Bundle recently had a Python programming bundle from No Starch Press, and I have to say God bless No Starch Press. They have books designed to teach coding to children, and it really is a great introduction to whatever you want to learn. Their Twine for Kids book really helped me with making my Twine games more than just text, and their Python for Kids really laid everything out in an easy to understand way without talking to the reader like a child.
I may try and adapting a few of my Twine games into Python (I’m thinking a Zork-style Common Folk text adventure game could be very fun.) so I’ll update if that actually happens.
So I’ve been listening to a lot of feedback from people about how I should try and write shorter scripts to sell. So I’m trying to shorten my scripts to around five pages, but this one is very short, coming up to a whopping 2 1/8 pages.
While it is a little bit more of a sketch, I would really love to see this made in time for Halloween or some spooky autumn shenanigans.
I’m posting it to my Scripts for Sale page, so you can continue to find it there. And remember, if you’re a student and cannot pay for the scripts you produce, contact me and we’ll figure something out.
It turns out I hoard ebooks just as much as I hoard physical books. I love me a Humble Bundle stacked with interesting and unusual knowledge. Project Gutenberg is my jam. Give me that sweet, sweet free Tor download, baby, and heck yeah I’ll sign up for your newsletter.
But! This means that I have a not inconsiderable backlog of really cool stuff that I’m struggling to find time to put into my eyeballs. My digital “To-Read” pile is growing, not quite exponentially… But close.
It all started (cue Star Wars crawl) months and months ago when I read an article that I swear exists but cannot find now (thanks, technology) about speed reading. I thought it was interesting, but there weren’t a lot of apps for it, so I ended up downloading a Chrome extension and trying it out.
It’s super weird, you guys.
Instead of having your eyes flow across text, you focus on a single point and the words are flashed in front of your eyes. Because you don’t have to keep your place on a page, you’re able to take in more words per minute.
This takes a little bit of getting used to, since your eyes are pretty much trained to be moving along a line of text when you’re reading. In most apps I’ve seen, this is fixed by designating a place on the screen to focus your gaze, by highlighting a word or even a letter towards the center of the word.
And it works! Once I got the hang of it, I was really able to crank up the words-per-minute on my laptop from 300 wpm to around 500 wpm. But because I don’t do a lot of hardcore reading on my laptop, I didn’t use it as much as I should.
Smash cut to a couple months later, when I was scrolling through the Play Store and Reedly came up in my recommendation
I downloaded the app to my phone last week and I’ve been having a lot of fun absolutely blazing through a collection of MIT Essential Knowledge books I got in a Humble Bundle a couple months ago.
I’ve been looking into this and the research is fascinating. For some people, this is an effective way to speed up your reading. But while some people claim that they can read at a speed of 1000 words per minute, the research suggests that anything over 400-500 words overloads your brain’s short term memory and you cannot retain the information you’re reading.
My personal experience would seem to bear this out. I’ve settled on about 450 words per minute, which is fast enough to get through things quickly, but I don’t lose comprehension. It’s the same for both fiction and non-fiction.
I’d suggest everyone give it a try. While I haven’t found a speed-reader app I like on iOS, Reedy is a solid choice on Android. In addition to the speed reading mode, Reedy also has a regular reading mode, and a text to voice mode so you can listen to your books while you’re doing other things.
I don’t play video games like I used to, which is unfortunate. But it’s E3 season, which means I’m drooling over new trailers like Charlie Bucket smashing his face up in the window of the candy store. I want it all, but there’s no way I can afford it.
But in a weird crossover, one of my favorite YouTube channels, Night Mind, recently posted a very in depth breakdown of the ARG “Tender,” a promotional campaign for the new Vampire: The Masquerade – Bloodlines 2.
It’s long, but worth a watch. They really breakdown the different elements of the game and how they fit together. It’s a good analysis of an ARG and a good case study to look at if you ever think of creating one of your own.
There’s also a really good interview with the writer at around the forty minute mark where they go into detail about the process of creating the ARG and what it was like working on it.
I like Minecraft. I don’t play the campaign mode, but the sandbox is my favorite thing ever. It’s one of the reasons why I got an enormous SD card for my phone. I have a lot of little world I open up and tinker with. Sometimes when you have a day, it’s satisfying to dump a lot of lava on things.
I always thought it would be cool to have an AR component to the Minecraft mobile app. It would really lean in to the whole Lego element of the sandbox part of the game.
There is an app called Assemblr, which is a little counter intuitive and hard to control, even on my Galaxy Note and using the S-Pen to place and manipulate elements. It is still updating, and for once in my life I was an early adopter with one of these things. But Assemblr, as slick and fun as it is, doesn’t have the same pick up and play as Minecraft, and I still struggle with it. It showed itself off as a Minecraft style creative tool, and just… was disappointing.
Why isn’t there just a really cool, block based mobile game that let’s be just play Lego with my phone?
I didn’t see that coming!
Let’s go through why I love this…
One! This isn’t a Niantic reskin of Ingress
When you’re good at what you do just keep doing it over… And over… And over….
When Pokemon GO first dropped, it didn’t play nice with my phone for a while. So I did a little digging in the Play Store and downloaded the other thing that Niantic put out.
Ingress is a cool little game where you are supposed to claim outposts for your team, connecting them in real time in order to control areas for your team. It’s still live, and you should download it and play. And when you do, you might notice something…
It uses the same location data as Pokemon GO. And Wizards Unite. It is possible, right now, to have three people go to the same location, performing pretty much the same actions, and each one of them is playing a different Niantic game.
I’m sure it’s a very good way to quickly produce and release these licensed mobile AR games, but unless you’re only ever going to play the one game, it’s pretty obvious what’s going on. Honestly, once I saw behind the curtain, it took the shine off all the Niantic games. I didn’t really play much after that.
Two! The Creative Mode!
It’s a AR-based Minecraft experience!
This opens up play in a way that Niantic games can’t by their nature. By having a purely creative element as well as challenges, it appeals to the different ways people already play Minecraft.
I appreciate this thoughtful approach to the gaming experience. They could’ve taken the Niantic approach to this, but they seem to have really looked at how people play the game on PC and tried to translate to mobile.
In my opinion, I think the biggest deal for this is going to be collaboration. Being able to share a build, work on it together, and then be able to play in that build in the real world is going to be an absolute game changer. Not only will this allow players to create bigger and more complex builds within the game, it will foster a sense of community among players that a mobile game like this needs.
Four! Free. To. Play.
While you need an Xbox account to save your progress, Xbox is very clear that this is going to be free to play on both iOS and Android. They’ve also stated that Minecraft Earth is going to be lootcrate free, which is a big breath of fresh air.
While I hesitate to see how they’re going to monetize this (ads? An in-game store?), seeing that they’re taking the younger demographic into account and abandoning the more predatory aspects of gaming.
This is what needs to happen in the mobile game world
This is a huge leap forward in utilizing mobile AR for games, and I am very excited. Taking these kinds of chances with such a recognizable franchise as Minecraft is going to change the game. It’s going to show developers that you don’t have to make a clone of a Niantic game to make it, and that we needs to start taking chances with this technology.
Hats off to the Minecraft team. I’m not going to think for a second that this is going to go off without a hitch. There are going to be bugs, I’m sure. But the point is that they’re taking a risk when established, successful companies in the field have very aggressively avoided risk when they’re making games like this.
While Pokemon GO and Wizards United might be on my phone collecting virtual dust, I can’t wait for this release.
Minecraft Earth goes into beta this summer, if you have an iOS device that’s AR compatible. Learn more here.
I’m living in front of my computer screen, and it has this sort of Las Vegas casino effect. There are not any windows here. Is it daytime? Nighttime? I blink and it’s sunset… or sunrise?
I’m a little bit afraid what effect this hermit lifestyle is going to have on me as I apply for jobs. My sleep schedule is completely jacked. I’m becoming a little bit set in my ways, working on my own projects and little freelance projects with no real purpose other than what I force on myself.
So, I’m afraid I am going to become, temporarily, one of Those People.
Yes, I am going to be the most shameful of creatures, the Starbucks Writer!!!
I know, I know… I’m a cliche! A hack! John Scalzi wrote a whole book on why this is bullshit! Whatever, dude.
It’s a matter of mental health. As much as I love my cat, I’m getting cabin fever. I’m seeing things crawling up the walls, man! Solitary confinement is really, really bad for you…
So I’m going to be one of Those Guys… And I’m going to try not to be embarassed about it. I’m making money, I’m doing what I love. And if some Starbucks Dude wants to peak over my shoulder and give me grief about it, they’re going to have to deal with it.
I just wanted to post a quick update on the short scripts I have for sale.
I’ve talked to a few people about what I have up there, and I want all of you to know that I’m listening. I am currently working on smaller budget scripts, as well as shorter scripts.
I’m going to try and keep scripts at around five pages. This seems to be the consensus on what people are looking for, so I’m going to work on those.
I also understand that if you are a film student, some institutions have rules against paying for scripts. I want anyone to know that if they are interested in using one of my scripts, but are restricted from paying for them, to contact me using the form at the bottom of this page and we can try and work something out.
I also wanted anyone who is interested to know that if they are looking for anything specific, or would like to commission a short script, to again use the form at the bottom of this page to contact me and we will be able to work something out.
Thank you for your understanding, and check back soon for more!
I am currently making my way through the Criterion collection on Kanopy, and I came across an interesting film from 1978, called The Killing of a Chinese Bookie.
On paper, it’s a pretty standard mob crime story: the owner of a strip club gets in too deep with gambling debts owed to the mob, and is tasked with killing a rival bookie to pay off some of what he owes.
What makes it notable is director Cassavetes and cinematographers Mitchell Briet and Al Ruban’s choices in how they shot the film. At first glance, it seems amateurish. It looked like the sort of movie that a film student who watched too much French New Wave would shoot. The picture is often out of focus, pointed at nothing in particular.
It wasn’t until I got to the end of the film, when the camera is rock solid and the picture is almost impossibly crisp did I realize what was going on.
The cinematography was being used as an extension of the main character’s state of mind. The camera wanders with his focus.
When Cosmo is distracted, the camera itself is distracted, focusing on seemingly random parts of the scene, out of focus, and wandering through the set. But when Cosmo is focused, the scenes are shot crisply and simply, focusing on what Cosmo is currently working on.
When the movie ended I immediately started it over, and this new insight really made me more invested in watching the film. It also reminded me that any time I watch a movie, I need to be more cognizant of these tools in the filmmaker’s toolbox, especially if I’m resisting the film for some reason.
If you can find this movie (I watched it on Kanopy) I cannot recommend it enough. And I hope my little observation helps you appreciate it a little more.
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